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Bookshelf

Meet the books* that continually inspire and form me as a Creator & a Writer.

*Click the image of any cover 

to learn more.

Creativity and Writing

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Big Magic

Liz Gilbert teaches me to take joy in creating and welcome the process as a gift, not a chore.

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Bird by Bird

Anne Lamott gives me permission to write a sh***ty first draft and so much more!

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Writing the Romantic Comedy

Billy Mernit guides me along the path of crafting emotional and hilarious connections between characters.

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The Artist's Way

In this seminal work, Julia Cameron continually gives me the tools to tap into the creative source and nurture my inner creative.

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They Say/I Say

Graff and Birkenstein guide me and (my students) to honestly examine multiple sides of an issue while still taking a stance.

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The Scene Book

Sandra Scofield teaches me how to create movement—beats—in a scene.

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If You Want to Write

Brenda Ueland convinces me that everyone has unique thoughts and insights which can be crafted into writing.

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Mystery and Manners

Flanney O'Connor challenges me to ask deeper questions about meaning and life itself in my writing.

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The Right to Write

Julia Cameron pushes me beyond my comfort  zone in these short chapters packed with: hard questions, writing exercises, and permission to experiment and embark on new writing forms.

Novels, Short Stories, and a play

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A Gentleman in Moscow

has become my gold-standard for admirable characters who are also delightfully human—not to mention this novel  even employs footnotes! (As does Icelander—see below!)

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Little Black Book of Stories

boasts contemporary fairy tales, but one in particular that I wish I'd written: "Body Art." This story mixes the profane and divine as I've never 

experienced before.

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Say You're One of Them

brims with poignant and lush stories that read like a punch to the ribs.

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The Shipping News

changed my life by elegantly giving flesh to underdogs and exploring the flavor of quiet romance.

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The Goldfinch

invites us into the vivid worlds of hyper-realistic characters, while demonstrating how distinct settings, with aesthetics almost in contradiction, can all tell a cohesive story.

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Icelander

exemplifies how to skillfully switch between narrators to create an one-of-a-kind comedy of the absurd.

People I Wanted to Be, Gina Ochsner

People I Wanted

To Be

is a collection, written by my real-life mentor, that compassionately introduces us to peculiarly captivating lives. 

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The Book Thief

was my first encounter with prose that tastes like rich poetry, crafted by an author who manages to mix metaphors with great relish and success.

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The Importance of Being Earnest

is my mentor for verbal acrobatics and politely absurd comedy. (A copy of this play was my sole literary companion during a summer spent in Kolkata, India!)

Who are your literary Mentors & Best Friends ?

Please use the comments below to share an important title or two and what those books teach you.

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